Georgian Theatre Royal, Richmond

DR Barnardo is one of this country’s forgotten heroes and even though his charity is one we all know today, local writer and composer, Peter Canwell has brought the history to life with a captivating tale seen through the eyes of a child.

Dr Thomas Barnado set up the first Barnardo’s home when he witnessed the wretchedness and suffering of children after devastating outbreaks of cholera in the 19th Century that left many homeless, alone and destitute. This production, based on a true story, detailing the life and death of an 11- year-old ginger-haired boy, Carrots, and the many orphan children who lived rough on the streets of London in 1866, will certainly warm your heart.

David Jackson is just 11 years old, his performance of Carrots is exceptional, with his mature acting skills, confident singing voice and a very good cockney accent. His fellow orphans, the roof-top kids, are all from the North-East, with their ages ranging from ten to 14. All 24 have perfected their cockney accents and all deserve a mention for their sheer commitment, energy and their superb talent.

Special mention also is due to Harriet Blundell, for her brilliantly brusque Alfie, the fabulous voice of Michael Rice as The Bread Boy, Michael Tyman’s outstanding performance as Skin and, capturing the ahhhh factor, Isaak Oliver at the cheeky boy, Titch.

Five professional actors are supporting this production led by Jonathan Parkin as Barnardo who belted out some of the songs.

Tony Howes gives Charlie the busker much character with his funny pantomime style. Jennifer Redston’s delightful voice gave us a very warm and watchable Syrie Barnardo, but my favourite was Richard Foster-King’s quirky copper; his singing, act ing and dancing were absolutely spot on.

IIt’s certainly worth seeing; the kids are all fantastic with a paramount energy that really does give this show life.

Northern Echo (18th August, 2008 - this review has been edited)

 

IF QUIZZED as to the name of a stage musical featuring inspiring social reform, a cheeky orphan and a filthyfaced young chorus, most theatregoers would guess at either Oliver! or Annie.

Few would immediately think of Carrots - first performed professionally at Billingham Forum more than 30 years ago and written by local teacher and writer, Peter Canwell.

Telling the story of Dr Thomas Barnardo, whose chance encounter with Carrots, a homeless boy with ginger hair, began a chain of events which led to the founding of the now famous Barnardos charity. It was brought to life by a large cast of local children and five professional adults.

Jonathan Parkin gave a versatile performance as the earnest, bespectacled Dr Barnardo, and Jennifer Redston was delightful as his sweet and supportive wife, Syrie.

Lord Shaftesbury, played by Brenden Lovett, validated Barnardo's efforts with his powerful rendition of Something Will Be Done, while Richard Foster-King's comic Constable fought to keep the street urchins under control. Tony Howes bounced between the roles of Charlie the Busker, the Sergeant and the Judge, and added a dynamic pantomime energy to the production.

It was, however, the 24-strong cast of children who gave the show its magic and momentum.

David Jackson played the title role with sensitivity and charm, and Sam Terry gave a vibrant performance as Nobby, self-appointed spokesman for the boys. The show-stealer was Izaak Oliver, of Middlesbrough, as Titch, whose soulful expressions epitomised Barnardo's motivation to intervene.
Choreographer Karen Heritage made excellent use of the Georgian's small stage with simple, but sympathetic, choreography and, despite the largely unmemorable melodies and predictable narrative, the children performed every line with passion and gusto.

A great musical this is not; as a showcase for local talent, it more than hit the right note.